#gregg trawinski

[drone-reference]

The Whole Enchilada Presented by ENVE Composites Directed & Produced by Kevin Winzeler: http://bit.ly/2zB50Bh Starting amidst the peaks of the mighty La Sal Mountains at 11,350' (3,500M) and descending 28 miles (45k) and over 8,000' (2,500M), The Whole Enchilada is a mountain bike trail like no other on the planet. The trail winds its way over four ecologically diverse climates through high alpine forests over creek crossings, prairie lands and finally into the classic red rock desert of Moab, Utah. Riders are tested to their physical and mental limits along the Enchilada's diverse and technical terrain and witness stunning panoramas along the way. It's as iconic as it is mythical to riders from around the globe who set out to conquer it. Here our rider, Luke Strobel, takes on the Enchilada for the first time in a showdown. Will he be properly rewarded at the end? Trail Segments: Burro Pass Hazard County Kokopelli Upper Porcupine Singletrack (UPS) Lower Porcupine Singletrack (LPS) Porcupine Road Porcupine Singletrack Director / Producer / Director of Photography: Kevin Winzeler Rider: Luke Strobel Producers: Jillian Becker, Ian Matteson, Jake Panton Camera Operators: Nate Sorensen, Liam Mullany Drone Operator: Liam Mullany 1st Camera Assistant / Key Grip: Wilson Hansen 2nd Camera Assistant / Focus Puller: Jarom Cowan Editor: Zach Kempf Assistant Editors: Kevin Winzeler, Dusty Hulet Composer: Micah Dahl Anderson Sound Design and Mixing: Bryan Densley Sound and Boom Operator: Brenden Bytheway Colorist: Ben Brooksby Riggers/Builders: Peter Vintoniv, Dylan Stucki, Randy Winzeler Production Assistants: Gregg “LG” Trawinski, Larry Winzeler, Jules Vintoniv Special Thanks: Cornelius Rand, Evan Carpenter, Stephanie Winzeler, Larry Winzeler, Randy Winzeler, Matt “Bat” Allen, Bruce Bruce Nibley, El Charro Loco, BLM Utah, National Forest Service Music: The Whole Enchilada by Micah Dahl Anderson La Vida Bojemia by Andy Gonzales Mariachi Band: Mariachi Nuevo Sonido BTS by the numbers: 1 Solar Eclipse (experienced on Day 1 of filming at 10,000 feet just below Burro Pass at 11:00am.) 7 days of filming 120 hours hiking, rigging, shooting 12 crew 70 miles by foot 38 degrees at the top (low), 105 degrees at the bottom (high) 2 bears 10 wasp stings 1 drone fail 7 cameras used 1 broken cable (cable cam). The rain had just let up and this stunning double rainbow opened up over Castleton valley, our backdrop for a 300' cable shot down slick rock . With rider and camera in position we started the countdown... dropping in 5,4,3,2....and then SNAP...the camera & gimbal fell 30' to the redrock floor below. All stood speechless. The unicorn got away. 1 mariachi band from New Mexico 4 plates of Enchilada's (3 back-up). We used the first take. 0 broken wheels and zero pinch flats (Luke ran the same wheels for the entire shoot) Technical: Shot on: 2 x RED Epic Dragon Sony A7R II Phantom Miro GoPro Hero 4 Canon 1DC DJI X5S

[mackenzieryan]

Solitude Mountain Resort has a photo of me ripping pow on their Instagram. Super-stoked and grateful!